Tracing Merton's knowledge of the wildlife from his youth to the ultimate years of his lifestyles, Weis explores his deepening feel of position and wish for solitude, his love and accountability for all residing issues, and his evolving ecological awareness. Nature was always vital in Thomas Merton's life, from the long hours he spent as a child watching his father paint landscapes in the fresh air, to his final years of solitude in the hermitage at Our Lady of Gethsemani, where he contemplated and wrote about the beauty of his surroundings. This book is in the first scholarly study of Merton's writings on nature, and Weis does a masterful job of situating them within trends seen in other nature writers and poets, making connections across literary and theological boundaries and demonstrating Merton's evolving ecological consciousness at the very beginnings of the ecological movement. Monica Weis's delightful The Environmental Vision of Thomas Merton is a superb guide to the ecological themes of Merton's life and writings. One sees that Merton's aesthetics here foreshadow what became his sacramental poetics and incarnational environmental vision. They include his first experience of Gethsemani during Holy Week of 1941, eight months before he relocates there for good, as well as his approach to the great buddhas of Polonnaruwa. In addition to substantial support from Merton's journals, a few of his photographs are included in the volume as additional support to his ability to penetrate the natural world to see its inherent interconnectedness.
I want to adopt him and this book is filled with love and awareness of our life and his. From his hermitage on the grounds of Gethsemani Abbey in rural Kentucky, he carefully chronicled the weather, the progression of the seasons, the happy encounters on his daily walks. And so, it is in the relations, and in the woods in Kentucky, that the Incarnation becomes Reality. From the Abbey, with its nocturnal hours of prayer, Merton finds a new awakening of his senses. A new geography was being discovered and created.
Merton learns to listen both to the rhythm of the Word of God in scripture and to nature through an encounter with the heart. This book is the latest volume in the University Press of Kentucky's heralded Culture of the Land series. The sciences in their multiple theories and forms come and go. A couple of important notes for anyone thinking about reading this book: the first is that this is not a book that is likely to be of interest to those not to some degree intimate with the life and writings of Thomas Merton. Weis, a sister of St.
Following in the footsteps of Carson, one of the earliest shapers of the environmental movement, Merton was well ahead of his time. Description Nature was always vital in Thomas Merton's life, from the long hours he spent as a child watching his father paint landscapes in the fresh air, to his final years of solitude in the hermitage at Our Lady of Gethsemani, where he contemplated and wrote about the beauty of his surroundings. What would you like to know about this product? For him, the Western split between subject and object had dissolved. Pointing to the daily-repeated offices of the horarium, Weis begins an argument that, similar to that of Mircea Eliade's Patterns in Comparative Religion, 1958 , accounts for ritual as the foregrounding of the convergence of transcendence and immanence 68. The Environmental Vision of Thomas Merton. The second note is that I think the title - and some of the conclusions found in the final few pages - is a little exaggerated.
Beginning with Merton's childhood spent accompanying his painter father, Weis suggests early formational landscapes and geographies in France and Rome; these affinities come into their own, though, at Gethsemani, over the decades as Merton becomes more familiar and attuned to the knobs, trees, clouds, and light of the place. Agroforestry and Biodiversity Conservation in Tropical Landscapes brings jointly forty six scientists and practitioners from thirteen nations with many years of box event in tropical areas to discover how agroforestry practices might help advertise biodiversity conservation in human-dominated landscapes, to synthesize the present nation of information within the box, and to spot parts the place extra learn is required. And becoming awake involves a response to the deeper meaning of an event. Retrieved Mar 08 2019 from The Environmental Vision of Thomas Merton. In prose both lyrical and logical, Weis traces Merton's appreciation and affinity for nature from his early life in France through his final years in his hermitage.
The key, Merton teaches us, is being awake to our physical surroundings and their effect on the geography of our heart. A sense of nature was with him from his very beginnings, his childhood in Prades, France, where he watched his father paint landscapes. Throughout his life, Merton's study of the natural world shaped his spirituality in profound ways, and he was one of the first writers to raise concern about ecological issues that have become critical in recent years. Weis masterfully narrates this journey, focusing particularly on Merton's journals and poetry. In The Environmental Vision of Thomas Merton, author Monica Weis suggests that Merton's interest in nature, which developed significantly during his years at the Abbey of Gethsemani, laid the foundation for his growing environmental consciousness. Of the six photographs, five share the same structural device: composing the image so that the space is encountered in layers, progressively drawing our gaze ever deeper into the image, and then quickly back again to the foreground; this back and forth of viewing no doubt complements Merton's emphasis of observing the ordinary - trees, fields, knobs and valleys - to see the Kingdom of God embedded therein.
Merton sought to bring the whole of his being, his inner geography, into reconciliation with the geography of the Kentucky landscape to which he had been called. Merton does not read this book as a turning point in his life, but as a confirmation of all he has already thought and experienced of the need to extend justice issues into the care for the environment around us. The delightful selections of photographs from Merton's boyhood also recounted in his mother's documentations, Tom's Book, 2005 from his father's paintings are visual cues for these same effects although how much more so had the latter been printed in color. To arrive at this vision we need to acknowledge the role of geography. They were not merely linguistic exercises, but a way of expressing an integral part of his inner and outer life. Joseph, explains how Merton evolved from a nature enthusiast.
Nature was always vital in Thomas Merton's life, from the long hours he spent as a child watching his father paint landscapes in the fresh air, to his final years of solitude in the hermitage at Our Lady of Gethsemani, where he contemplated and wrote about the beauty of his surroundings. Joseph Monica Weis is professor of English and director of the Master of Arts in Liberal Studies Program at Nazareth College in Kentucky. But the religion that is divorced from science today will leave no offspring tomorrow. A journey like Merton's is not an easy one, of course, and Merton was probably better prepared for it than most, but it is the narrow way to which we all are called in a world of greed, overconsumption and waste. A comprehensive study of Merton's passionate, ever-expanding ecological conscience and subsequent environmental vision, this volume joins Weis' earlier collaboration on and exploration of Merton's life as a Trappist monk and nature lover Thomas Merton's Gethsemani: Landscapes of Paradise, 2005 in providing its readers with robust research and well-grounded argumentation for Merton's sacramental cosmology. Countless books have been written exploring most of these facets of Merton's life and work in the years since his tragic death in 1968. To these she adds instances less known to Merton readers and in so doing, offers us new ground to tread, making this chapter of special interest.
Everything you have on your lips in praising God is there before you — hills, dew, light, birds, growing things. Extending this framework to his prayer, poetry, and photography is the undertaking of the penultimate chapter in Weis' laudable and initiating overview of the environmental vision of Thomas Merton. As such, this book becomes an extended conversation with a plethora of correspondents, poems, journal entries, essays, books, reading notes, and critics seated at the reader's table. In The Environmental Vision of Thomas Merton, author Monica Weis suggests that Merton's interest in nature, which developed significantly during his years at the Abbey of Gethsemani, laid the foundation for his growing environmental consciousness. And for illuminating that this book is of great value.